"I am going to take you on a tour through my work. It will be a story tour because stories are what link us as humans. Stories make us exist, make us connect through time and space." 

Els Dietvorst (°1964) is a socially engaged artist. She uses dialogue, experiment and intuition as her main artistic strategies. Ever since the 1990s, she has been moved by social issues such as migration, racism and climate change. Dietvorst reflects on the human condition. As a result, major themes such as life and death, anxiety, alienation and desire are addressed in her work. She focuses particularly on the position of the outsider,  pointing her gaze to/aiming her attention at those people and events that would otherwise go unnoticed.

Her choice of medium, whether it be actions, documentaries, films, mud sculptures, installations, drawings or theater texts, depends on the specific circumstances and the individual nature of each project. Many of her artworks have therefore been given away or destroyed, or have perished.

In 2020, many of these works were remade again for the exhibition *Dooltocht/A desperate quest to find a base for hope at M HKA (Museum of Contemporary Art, Antwerp). She is currently researcher on a PhD: "Partisans of the Real" at the Royal Academy / University of Antwerp. 

Welcome !

Els Dietvorst

°1964
Born in Kapellen, BE

Els Dietvorst (°1964) is a socially engaged artist, who uses her visual work as a means of creating social involvement. She graduates from the Sint Lucas School of Arts in Antwerp and holds a Master of Fine Art from the LUCA School of Arts in Brussels. Dietvorst lives and works in Ireland since 2010.

Even in her socially focussed work, Dietvorst finds ways of expressing herself in a highly personal manner, making use of an incredibly wide range of media; along with sculptures and installations, drawing, writing and recently through the creation of visual installations. Her work is focussed on the myriad forms of social communication and interpersonal relationships and conflicts, which she expresses in striking social-artistic projects, such as De Terugkeer van de Zwaluwen [The Return of the Swallows] in Brussels’ Anneessenswijk. The position of the outsider is something Dietvorst specifically focuses on, directing her gaze – sometimes over the span of several years – towards those persons and events that would otherwise go unnoticed. At any given moment she can be found collecting these types of snippets and fragments, assembling them in her pieces. This isn't necessarily to point out injustice, rather her purpose is to personally develop an understanding, to keep track of the bigger picture, and contextualise different events. Her summaries of reality are a visual archive, serving as both mirror and a chamber for reflection.

Her sculptures too, − crafted from perishable materials such as wood and loam − direct the gaze towards social circumstances such as war, famine and the refugee issue. This is how, for example, the “Skulls” series was created. The skulls allude to the violence of war, but also point towards the existential experience of dying, a process shared and suffered by all.

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