"I am going to take you on a tour through my work. It will be a story tour because stories are what link us as humans. Stories make us exist, make us connect through time and space." 

Els Dietvorst (°1964) is a socially engaged artist. She uses dialogue, experiment and intuition as her main artistic strategies. Ever since the 1990s, she has been moved by social issues such as migration, racism and climate change. Dietvorst reflects on the human condition. As a result, major themes such as life and death, anxiety, alienation and desire are addressed in her work. She focuses particularly on the position of the outsider,  pointing her gaze to/aiming her attention at those people and events that would otherwise go unnoticed.

Her choice of medium, whether it be actions, documentaries, films, mud sculptures, installations, drawings or theater texts, depends on the specific circumstances and the individual nature of each project. Many of her artworks have therefore been given away or destroyed, or have perished.

In 2020, many of these works were remade again for the exhibition *Dooltocht/A desperate quest to find a base for hope at M HKA (Museum of Contemporary Art, Antwerp). She is currently researcher on a PhD: "Partisans of the Real" at the Royal Academy / University of Antwerp. 

Welcome !

DE TERUGKEER VAN DE ZWALUWEN [THE RETURN OF THE SWALLOWS]

"In 1998, Els Dietvorst made the move from Brasschaat to the capital, Brussels. In the project The Return of the Swallows she entered into dialogue with residents of Brussels’ multicultural Anneesens district. The project resulted in long-running processes, in newspapers, presentations, films and above all, in encounters with many of Brussels’ immigrant residents. For Els Dietvorst, art always originates from (a collaboration with) people."  (Eva Wittocx)


"I want to research how artists can become independent agents of social processes, partisans of the real. The interaction between artist and social situation, between art and extra artistic context has led to a new form of art: context art. The objective of the social structure of art is the participation in the social structure of reality." (ED)