"I am going to take you on a tour through my work. It will be a story tour because stories are what link us as humans. Stories make us exist, make us connect through time and space." 

Els Dietvorst (°1964) is a socially engaged artist. She uses dialogue, experiment and intuition as her main artistic strategies. Ever since the 1990s, she has been moved by social issues such as migration, racism and climate change. Dietvorst reflects on the human condition. As a result, major themes such as life and death, anxiety, alienation and desire are addressed in her work. She focuses particularly on the position of the outsider,  pointing her gaze to/aiming her attention at those people and events that would otherwise go unnoticed.

Her choice of medium, whether it be actions, documentaries, films, mud sculptures, installations, drawings or theater texts, depends on the specific circumstances and the individual nature of each project. Many of her artworks have therefore been given away or destroyed, or have perished.

In 2020, many of these works were remade again for the exhibition *Dooltocht/A desperate quest to find a base for hope at M HKA (Museum of Contemporary Art, Antwerp). She is currently researcher on a PhD: "Partisans of the Real" at the Royal Academy / University of Antwerp. 

Welcome !

DE TERUGKEER VAN DE ZWALUWEN [THE RETURN OF THE SWALLOWS]

(c)Els Dietvorst / scan: M HKA, 2019
Sensation (videoloop 'Illusions'), 2000
Video , 00:10:00
mini DV (colour, sound)

In January 1999, Els Dietvorst began her multimedia project, The Return of the Swallows, in Brussels. During the project’s second phase, Els Dietvorst produced three short films: Illusions in collaboration with the district’s inhabitants. Together, they embarked on a quest for new artistic forms and attempt to render the invisible visible. One of the films Sensation is based on the story of Bahman and how he got from from Iran to Belgium.